Was lange Zeit selbst in der großen Traumfabrik Tabu war, ist heute Mainstream. Mittlerweile trauen sich viele der ganz großen Namen Hollywoods, egal ob Homo oder Hetero, immer häufiger an das einstige Reizthema Homosexualität. Während viele Schwulenfilme à la „Eating Out“ oder „Another Gay Movie“ cineastisch zwischen unerträglich und qualvoll rangieren, gibt es doch auch großartige Werke, die die gleichgeschlechtliche Liebe hervorragend thematisieren. Grund genug, die unserer Meinung nach besten in einer Top 13 Gay Filme-Liste zusammenzufassen.
Tom Hanks, Philip Seymour Hoffmann, Sean Penn und Christopher Plummer. Das sind nur vier von vielen großen Hollywood Stars, die in der Vergangenheit schwule Charaktere gespielt haben. Diese vier haben dafür jeweils sogar einen Oscar gewonnen. Welche Schwulenfilme absolut sehenswert sind und zu den schönsten Liebesfilmen gehören, erfahrt ihr in unserer Top 13 der besten Schwulenfilme, ohne besondere Reihenfolge.
Brokeback Mountain – Großes und emotionales Schwulenkino
Natürlich ist da auch immer viel persönlicher Geschmack dabei – also nicht traurig sein, wenn ausgerechnet euer Lieblingsstreifen fehlt. Ihr könnt euren Top-Schwulenfilm in die Kommentare posten. Und wer sich fragt: „Warum soll ich als Hetero Schwulenfilme oder allgemein Queer-Filme angucken?“ der denke einmal darüber nach, wie viele Schwule mit Begeisterung „Titanic“ angeschaut haben dürften. Mittlerweile gibt es eine große Auswahl an Queer- und Schwulenfilmen auf Netflix oder Amazon Prime, die ihr euch direkt auf euren Fernseher streamen könnt. Darunter finden sich auch Serien wie „Orange Is The NewBllack“„Sense8“. Welche Gay- und Schwulen-Filme sich für einen Movieabend lohnen, erfahrt ihr nachfolgend.
Flowerboys and the appeal of ’soft masculinity‘ in South Korea
When the BBC posted a video about the make-up routine of a 16-year-old YouTuber in Seoul on Facebook, the reactions ranged from intrigued to downright vitriolic.
Some assumed this meant he was gay, while others admonished him for his choice saying „real men don’t wear make-up“. There were, of course, those that argued for his freedom to live life however he pleased and against the „fragile masculinities“ on show.
But Kim Seung-hwan is used to it. He says he’s been called gay by some Koreans online for as long as he’s been doing make-up tutorials.
When asked about whether he thought he looked feminine after he put on make-up, he was confused by the question as if he had never even thought about it.
„No I don’t. I do not think about this being a girly look,“ he says. „It’s about looking good.“
Why Are British Soft Boys Taking Over Netflix?
On Netflix right now, you can watch a TV series about an awkward, adolescent British boy who keeps trying to do the right thing, but ends up torturing himself internally when things go wrong. He’s slim, pale, preternaturally intelligent, but fumbles when talking to other people, especially girls. He’s supposed to be high-school-aged, but played by an older actor, though unlike his American cousins on the CW, he doesn’t look like a walking ad for protein powder high-intensity interval training. I’m talking about Asa Butterfield in Sex Education, by which I mean Fionn Whitehead in Bandersnatch, or really, Alex Lawther in The End of the F***ing World.
Like the Lady of the Lake of Arthurian legend, Netflix’s ever-mysterious, somewhat algorithmic decision-making process seems to have landed on a new kind of hero to lead its TV shows: the British Soft Boy. It’s a character type that has existed before in many other forms, but has risen to prominence at the intersection of many trends, including the rise of the twink, and streaming’s Americanization of British TV. He’s often coded as queer, but in a way that associates queerness with approachability to both straight women and gay men; he’s also usually white, in a way that connects whiteness to imagined British qualities like politeness and delicacy. The British Soft Boy will be sweet. The British Soft Boy will not hurt you. He is made to be streamed; you will enjoy spending several hours with him and his soft British life.
When you watch Sex Education, which stars Asa Butterfield as the awkward child of Gillian Anderson’s sex therapist, the British Soft Boy comes into the clearest (soft) focus. Butterfield’s character Otis fumbles into giving shagging tips to everyone in his high school, even though he himself has trouble masturbating. He bonds with an outcast cool girl, Maeve (played by Emma Mackey), and develops a crush on her that he’s convinced she’ll never reciprocate because, well, he’s a dork and she’s a dead ringer for Margot Robbie. You’re meant, of course, to still root for Otis, because even if he is a dork by TV standards, he’s charming by the standards of actual reality. It helps that Asa Butterfield has the eyes of someone who looks as if he was replaced as a small child by faeries who use the fancy spelling of the word.
Unlike many British shows that are produced by the BBC or ITV then brought to America, Sex Education originates with Netflix. It was loosely inspired by a Channel 4 documentary about “these teenagers talking to a sex therapist about their teenage sex lives,” according to creator Laurie Nunn, and it feels very much like a show based on the broader concept of British television: a purposeful blend of Skins or Lovesick with ’80s-inflected John Hughes Americanisms like prom and letterman jackets. In this context, the British Soft Boy provides a palatable angle into the show, especially for audiences who aren’t British. A dorky guy who talks about sex? Boring. A dorky guy who talks about sex with an accent, which means he calls it shagging? How sweet!
Other highlights of Netflix’s British Soft Boy programming include The End of the F***ing World, where Alex Lawther plays a possible psychopath who ends up wearing cute Hawaiian shirts, and ’s interactive Bandersnatch, where you can make Fionn Whitehead (the guy from Dunkirk who was not Harry Styles) kill his father and also throw his tea on his computer. In a darker context, this kind of character acts as a conduit for the audience’s sympathy. The British Soft Boy is often in peril, more complicated than he seems, and relies on you, the viewer, to understand him. Often, a key element of the British Soft Boy is the sense of gratification to your intelligence, as a viewer, for understanding him in the first place.
Many of the contestants on The Great British Bake Off are British Soft Boys; the more awkwardly they construct pastries, the better. Hugh Skinner has played Soft Boys in Mamma Mia! Here We Go Again and W1A, and an exaggerated parody of one in Fleabag. Phoebe Waller-Bridge must enjoy poking fun at the type because she also included a Soft Boy in Kenny in Killing Eve and Fred in Crashing. Elsewhere on Netflix, the harder-edged Derry Girls includes James (Dylan Llewellyn), an awkward “wee English fella” who’s stuck at a Northern Irish girls’ school for his own protection. Dev Patel was a British Soft Boy up until he grew out his mane of hair and crossed the line from soft to hot. Daniel Radcliffe taught a generation to crush on Harry Potter, who started soft, got grizzled, and fathered a very soft son, according to Cursed Child is about a British Soft Boy gone to seed. If you are wondering if someone is a British Soft Boy, consider whether they seem like an import from a storybook, a grown-up version of either Artemis Fowl or Edmund, who sold out his family for Turkish delight in the Narnia books.
Ben Whishaw was the Ur-Soft Boy, from whose British softness all softness extends, though Whishaw offers a useful guide to anyone considering the trope of British Soft Boyishness, as he’s both graduated to projects that are more sexy (), or so soft as to achieve a new peak of the form (). Whishaw has the awkwardness, approachability, and inherent sense of goodness. Whishaw is also white, and with many of his characters, and with many a Soft Boy in general, his paleness is associated with his essential fragility. Here, too, whiteness comes into contact with a Peter Pan syndrome: These characters are boys, not men — even if they are in their 20s — always unfit, in some way, for the adult world. But Whishaw has an interest in queer art and an intellectual energy that pushes the envelope of the type. Whishaw is openly gay, and though many of these types of characters are coded as queer, as many twinklike characters are, that’s usually not explicit. The British Soft Boy is meant for everyone, and thus all his hard edges are sanded off; the British Soft Boy does not offend.
A show on Netflix doesn’t necessarily need to win you over with plot dynamism or aspirational characters, when it may just as well succeed with comfort. This, one imagines, is an incentive to write characters and cast actors that project comfort, warmth, coziness, and other words you might associate with descriptions of both antique furniture and Hobbits.
In an environment that prizes those attributes, like streaming TV, the muted charm of the British Soft Boy is on the rise. He may not be enough to get you out of your house and to a theater, but when offered up at the top of your streaming queue as relaxation viewing, the British Soft Boy is far more appealing. He’s the facsimile of the idea of Britishness, too pleasant to be real, but also there for you, fumbling along, probably wearing a nice sweater and offering up some tea.
A previous version of this story failed to acknowledge Derry Girls’ Dylan Llewellyn, the self-described “king of soft British boys,” whose co-star requested his inclusion. Vulture sincerely regrets the omission.
The best gay sex positions: How do gay men have sex?
As anyone who’s ever had gay sex, thought about gay sex or watched gay sex will know there are endless combinations possible gay sex positions. But where to start? What feels best? How do you gay men have sex?
This guide to the four most accessible – and we reckon most pleasurable – gay sex positions will help get you started.
Before we get stuck into how to stick it in, we’d always condone safer sex and recommend you read our guide to PrEP, and always use condoms when having sex.
Hot Legs (Short Gay Film)
Short Film produced by Underdog Productions (Pty) Ltd in 1995.
Note: This film contains some male nudity, contains material of a gay nature, and may be disturbing to younger viewers. It also contains some fast flash shots.
Written & Directed by Luiz DeBarossProduced by: Marc Schwinges
Starring:Tim: David DucasDave: Gerrie BarnardTim Jnr: Glen FineDave Jnr: Leon WeedKid One: Miguel BarrosKid Tow: Marcus MuddPoliceman One: Carlo GoertzPoliceman Two: Criag KellyMother: Mariana CarrilloSon: Sipho Khuzwago Moyo
Director of Photography: Peter PohorskyProduction Manager: Brendan RiceProduction Assistant: David HeckerFocus Puller: Greg PoissonGrip: Tony Slater
Sound: Jeremy HattinghSound: Ian MillerBoom Operator: Sean Kelly
Senior Make-up Artist: Adrienne CohenMake-Up Artist: Ionka Nel
Runners: Wayne Fick, Paul Hanrahan, Hal Couzens, Bronwyn Vermeulen, Oliver Galloway.
Post Production Advisor: Hal CouzensNon-Liner Editor: Llewelyn Roderick
Executive Producers: Marc Schwinges, Catherine Bester & Charlotte Bauer
Top 13 der besten Schwulenfilme: Shelter
„Shelter„ – Zuhause ist, wo Du die Liebe findest. Der 2007 erschienene US-Film zeigt einmal mehr, wie wichtig die Familie aber auch die eigenen Lebensziele sind. Zach (Trevor Wright) ist ein Familienmensch und kümmert sich um seinen kranken Vater, seine Schwester Jeanne und deren fünfjährigen Sohn Cody. Aus Pflichtbewusstsein gegenüber seiner Familie gab der talentierte Zach seinen Traum auf, an einer Kunsthochschule zu studieren. Shaun (Brad Rowe), der ältere, homosexuelle Bruder seines Freundes Gabe, ermutigt Zach, sich erneut zu bewerben – was Schwester Jeanne gar nicht gutheißt. Sie untersagt Zach sogar den Kontakt zu Cody. Hier gibt es neben den Beach-Bodys der Surfer starke schauspielerische Leistungen zu sehen. Das Drama um den Familienkonflikt erhielt zahlreiche Auszeichnungen, unter anderem die Zuschauerpreise auf dem Seattle Lesbian & Gay Film Festival (2007) als Best New Director und als Favorite Feature Film und 2009 den Glaad Media Award.
Anal sex positions
Most of these gay sex positions are anal sex positions, but there are some non-penetrative sexual positions at the end too.
If you’re after more anal sex reading, here’s another general guide on how to have anal sex that covers douching, communication, lube and some other stuff.
Top, bottom or versatile?
We’re going to look at gay sex positions from the point of view of a top and a bottom.
If you’re versatile (and we encourage you all to be), lucky you, you can do both. In some gay sex positions the top leads the action, and in some the bottom takes the lead.
Interested in finding out why some guys are top and some are bottom? Here’s a scientific study from 2017 that talks about it.
Try the gay missionary position first
This gay sex position may sound boring, but it’s not, we promise. It’s one of the easiest positions for a top, and not especially difficult for a bottom.
During gay sex, if you’re engaging in foreplay and sucking his cock while he’s laying down, keep licking, kissing and sucking as you move your mouth down towards his balls.
Then go further, toward his perineum (the bit between his balls and his ass) and then his butthole.
Bottom: if you’re enjoying this, give him a few moans and wriggle your asshole a bit closer to where his tongue is.
If he’s keen, keep eating his ass. Open his ass cheeks and get in there deep with your tongue. If you can, and body shapes and sizes depend on this, lift his ass up a bit.
Seeing eye to eye
The gay missionary position is good for maintaining eye contact and clear communication during anal sex.
You can penetrate your partner slowly and carefully, keeping an eye on the target. You can build up a momentum that you’re both comfortable with. And it’s easy to get back in if you slip out, because you can see everything clearly.
Now try riding a guy’s cock
If you’re new to getting f**ked, or nervous about taking a big dick, this gay sex position could be good for you, because as a bottom, you’ll have the control.
It’s a good one for gaining confidence when it comes to taking cock – if it starts to hurt, you can slow down, and lower yourself onto him at your own pace.
You need a certain amount of athleticism to be able to ride your man. You want to be going up and down, and slightly back and forth, at the same time. A bit like riding a horse.
If you’re bigger built than your top, or if you’re a bigger guy in general this one can be tricky as gravity is against you. Be careful not to crush the chap under you or he’ll be at risk of losing his erection.
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