Let’s Get It On (Deluxe Edition)

Editors’ Notes Marvin Gaye’s ’70s concept albums spanned wounded takes on sociopolitical concerns (. It’s another way in which Marvin refuses to make a too-standard sex jam. This remastered edition contains single versions of “Let’s Get It On” and “You Sure Love to Ball.”

Marvin Gaye

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After brilliantly surveying the social, political, and spiritual landscape with What’s Going On, Marvin Gaye turned to more intimate matters with Let’s Get It On, a record unparalleled in its sheer sensuality and carnal energy. Always a sexually charged performer, Gaye’s passions reach their boiling point on tracks like the magnificent title hit (a number one smash) and „You Sure Love to Ball“; silky and shimmering, the music is seductive in the most literal sense, its fluid grooves so perfectly designed for romance as to border on parody. With each performance laced with innuendo, each lyric a come-on, and each rhythm throbbing with lust, perhaps no other record has ever achieved the kind of sheer erotic force of Let’s Get It On, and it remains the blueprint for all of the slow jams to follow decades later — much copied, but never imitated.&copy Jason Ankeny /TiVo

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Melvin Ragin, Guitar, AssociatedPerformer – Louie Shelton, Guitar, AssociatedPerformer – Cal Harris, Mixer, StudioPersonnel – WILTON FELDER, Bass Guitar, AssociatedPerformer – Victor Feldman, Vibraphone, AssociatedPerformer – Marvin Gaye, Producer, Piano, MainArtist, AssociatedPerformer, ComposerLyricist – David T. Walker, Guitar, AssociatedPerformer – JOE SAMPLE, Piano, AssociatedPerformer – Bobbye Hall, Bongos, AssociatedPerformer – Emil Richards, Vibraphone, AssociatedPerformer – Rene Hall, Conductor, Recording Arranger, AssociatedPerformer – Ed Townsend, Producer – Eddie Brown, Drums, Bongos, AssociatedPerformer – Edward Townsend, ComposerLyricist – James Jamerson, Bass Guitar, AssociatedPerformer – Art Stewart, Mixer, Recording Engineer, StudioPersonnel – Marvin Jenkins, Piano, AssociatedPerformer – Paul Humphries, Drums, AssociatedPerformer – William McMeekin, Recording Engineer, StudioPersonnel – Uriel Jones, Drums, AssociatedPerformer

Cal Harris, Recording Engineer, Mix Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – Ed Townsend, Producer, ComposerLyricist – Art Stewart, Mix Engineer, StudioPersonnel

Cal Harris, Mix Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – Ed Townsend, Producer, ComposerLyricist – Art Stewart, Recording Engineer, Mix Engineer, StudioPersonnel – William McMeekin, Recording Engineer, StudioPersonnel

Cal Harris, Mix Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – Ed Townsend, Producer, ComposerLyricist – Art Stewart, Recording Engineer, Mix Engineer, StudioPersonnel – William McMeekin, Recording Engineer, StudioPersonnel

Cal Harris, Recording Engineer, Mix Engineer, StudioPersonnel – Steve Smith, Recording Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – Art Stewart, Mix Engineer, StudioPersonnel

℗ 1973 Motown Records, a Division of UMG Recordings, Inc.

Gwen Gordy Fuqua, ComposerLyricist – Cal Harris, Recording Engineer, Mix Engineer, StudioPersonnel – Steve Smith, Recording Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – Sandra Elaine Greene, ComposerLyricist – David Van dePitte, Recording Arranger, AssociatedPerformer – Art Stewart, Mix Engineer, StudioPersonnel – Lawrence Miles, Recording Engineer, StudioPersonnel

℗ 1973 Motown Records, a Division of UMG Recordings, Inc.

Cal Harris, Recording Engineer, Mix Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – Art Stewart, Mix Engineer, StudioPersonnel – Lawrence Miles, Recording Engineer, StudioPersonnel

Anna Gordy Gaye, ComposerLyricist – Elgie Stover, ComposerLyricist – Cal Harris, Recording Engineer, Mix Engineer, StudioPersonnel – Steve Smith, Recording Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – Art Stewart, Mix Engineer, StudioPersonnel – Lawrence Miles, Recording Engineer, StudioPersonnel

℗ 1973 Motown Records, a Division of UMG Recordings, Inc.

Cal Harris, Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – RUDY HILL, Engineer, StudioPersonnel – David Van dePitte, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist

Cal Harris, Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – RUDY HILL, Engineer, StudioPersonnel – David Van dePitte, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist – Art Stewart, Engineer, StudioPersonnel

Cal Harris, Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – RUDY HILL, Engineer, StudioPersonnel – David Van dePitte, Producer, Recording Arranger, AssociatedPerformer – Art Stewart, Engineer, StudioPersonnel

℗ 2001 Motown Records, a Division of UMG Recordings, Inc.

William Robinson, Jr., ComposerLyricist – Marvin Gaye, Producer, MainArtist, ComposerLyricist

Marvin Gaye, Producer, MainArtist, ComposerLyricist

Anna Gordy Gaye, ComposerLyricist – Elgie Stover, ComposerLyricist – Marvin Gaye, Producer, MainArtist, ComposerLyricist – The Miracles, MainArtist – Blumberg, Recording Arranger, AssociatedPerformer

Kenneth Stover, ComposerLyricist – Marvin Gaye, Producer, MainArtist, ComposerLyricist – Ken Sands, Engineer, StudioPersonnel

℗ 2001 Motown Records, a Division of UMG Recordings, Inc.

Kenneth Stover, ComposerLyricist – Marvin Gaye, Producer, MainArtist, ComposerLyricist

℗ 2001 Motown Records, a Division of UMG Recordings, Inc.

William Robinson, Jr., ComposerLyricist – Marvin Gaye, Producer, MainArtist, ComposerLyricist

℗ 2001 Motown Records, a Division of UMG Recordings, Inc.

Cal Harris, Mix Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – Rene Hall, Recording Arranger, AssociatedPerformer – Ed Townsend, Producer – Edward Townsend, ComposerLyricist – Art Stewart, Engineer, StudioPersonnel – William McMeekin, Engineer, StudioPersonnel

Marvin Gaye, Producer, MainArtist, ComposerLyricist – Rene Hall, Recording Arranger, AssociatedPerformer – Ed Townsend, Producer – Edward Townsend, ComposerLyricist – Art Stewart, Engineer, StudioPersonnel – William McMeekin, Engineer, StudioPersonnel

Cal Harris, Engineer, Mix Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – Rene Hall, Recording Arranger, AssociatedPerformer – Ed Townsend, Producer, ComposerLyricist

Cal Harris, Mix Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – Rene Hall, Recording Arranger, AssociatedPerformer – Ed Townsend, Producer, ComposerLyricist – Art Stewart, Engineer, StudioPersonnel – William McMeekin, Engineer, StudioPersonnel

Gene Page, Recording Arranger, AssociatedPerformer – Cal Harris, Engineer, Mix Engineer, StudioPersonnel – Steve Smith, Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – David Van dePitte, Recording Arranger, AssociatedPerformer

℗ 2001 Motown Records, a Division of UMG Recordings, Inc.

Gwen Gordy Fuqua, ComposerLyricist – Cal Harris, Engineer, Mix Engineer, StudioPersonnel – Steve Smith, Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – Sandra Elaine Greene, ComposerLyricist – David Van dePitte, Recording Arranger, AssociatedPerformer – Lawrence Miles, Engineer, StudioPersonnel

℗ 2001 Motown Records, a Division of UMG Recordings, Inc.

Cal Harris, Engineer, Mix Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – David Blumberg, Recording Arranger, AssociatedPerformer – Lawrence Miles, Engineer, StudioPersonnel

Anna Gordy Gaye, ComposerLyricist – Elgie Stover, ComposerLyricist – Cal Harris, Mixer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – David Van dePitte, Recording Arranger, AssociatedPerformer

Anna Gordy Gaye, ComposerLyricist – Elgie Stover, ComposerLyricist – Marvin Gaye, Producer, ComposerLyricist – The Originals, MainArtist – David Van dePitte, Recording Arranger, AssociatedPerformer

Anna Gordy Gaye, ComposerLyricist – Elgie Stover, ComposerLyricist – Marvin Gaye, Producer, ComposerLyricist – The Monitors, MainArtist

Fonce Mizell, Producer, Recording Arranger, AssociatedPerformer – Marvin Gaye, MainArtist – Freddie Perren, Producer – Edward Gordon, ComposerLyricist – Laurence Mizell, ComposerLyricist – Joe Atkinson, Engineer, StudioPersonnel

Marilyn McLeod, ComposerLyricist – Marvin Gaye, MainArtist – Hal Davis, Producer – Mel Bolton, ComposerLyricist – Robert Gordy, ComposerLyricist – Ezra Bolton, ComposerLyricist

Marvin Gaye, MainArtist – Willie Hutch, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist

Kathy Wakefield, Author – Marvin Gaye, MainArtist – Willie Hutch, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist

Marvin Gaye, MainArtist – Willie Hutch, Producer, Recording Arranger, AssociatedPerformer – Jasun Smith, ComposerLyricist

Marvin Gaye, MainArtist – Willie Hutch, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist

Michael Henderson, Author – Hamilton Bohannon, ComposerLyricist – Marvin Gaye, Producer, MainArtist, ComposerLyricist

℗ 2001 Motown Records, a Division of UMG Recordings, Inc.

Hamilton Bohannon, ComposerLyricist – Marvin Gaye, Producer, MainArtist, ComposerLyricist

℗ 2001 Motown Records, a Division of UMG Recordings, Inc.

Michael Henderson, Author – Hamilton Bohannon, ComposerLyricist – Marvin Gaye, Producer, MainArtist, ComposerLyricist – James Green, Engineer, StudioPersonnel

℗ 2001 Motown Records, a Division of UMG Recordings, Inc.

Gene Page, Recording Arranger, AssociatedPerformer – Cal Harris, Mixer, StudioPersonnel – BILL SCHNEE, Recording Engineer, StudioPersonnel – Marvin Gaye, Producer, MainArtist, ComposerLyricist – Leslie Drayton, Recording Arranger, AssociatedPerformer

℗ 1990 Motown Records, a Division of UMG Recordings, Inc.

Marvin Gaye

Albumbeschreibung

After brilliantly surveying the social, political, and spiritual landscape with What’s Going On, Marvin Gaye turned to more intimate matters with Let’s Get It On, a record unparalleled in its sheer sensuality and carnal energy. Always a sexually charged performer, Gaye’s passions reach their boiling point on tracks like the magnificent title hit (a number one smash) and „You Sure Love to Ball“; silky and shimmering, the music is seductive in the most literal sense, its fluid grooves so perfectly designed for romance as to border on parody. With each performance laced with innuendo, each lyric a come-on, and each rhythm throbbing with lust, perhaps no other record has ever achieved the kind of sheer erotic force of Let’s Get It On, and it remains the blueprint for all of the slow jams to follow decades later — much copied, but never imitated.&copy Jason Ankeny /TiVo

Albumbeschreibung

Marvin Gaye – Let’s Get It On (1973) SHM Deluxe Edition (2009) [16-44]

Track Listings:Original LP [Released 1971]1-01 Let’s Get It On 4:511-02 Please Stay (Once You Go Away) 3:271-03 If I Should Die Tonight 4:011-04 Keep Getting’ It On 3:131-05 Come Get To This 2:411-06 Distant Lover 4:171-07 You Sure Love To Ball 4:461-08 Just To Keep You Satisfied 4:27(Bonus Session)1-09 Song #3 (Instrumental) 5:301-10 My Love Is Growing 4:201-11 Cakes (Instrumental) 3:151-12 Symphony (Undubbed Version) 2:501-13 I’d Give My Life For You (Alternate Mix) 3:331-14 I Love You Secretly / The Miracles 4:181-15 You’re The Man (Alternate Version 1) 7:251-16 You’re The Man (Alternate Version 2) 4:451-17 Symphony (Demo Vocal) 2:50

(Demo, Alternate Mix And More)2-01 Let’s Get It On (Demo Version) 5:142-02 Let’s Get It On (Part II) (A.K.A. Keep Getting’ It On – Complete) 3:452-03 Please Stay (Once You Go Away) (Alternate Mix) 3:502-04 If I Should Die Tonight (Demo) 4:452-05 Come Get To This (Alternate Mix) 2:482-06 Distant Lover (Alternate Mix) 4:202-07 You Sure Love To Ball (Alternate Mix With / Alternate Vocal) 5:422-08 Just To Keep You Satisfied (A Capella With / Alternate Vocal) 4:402-09 Just To Keep You Satisfied (The Originals 1970) 4:002-10 Just To Keep You Satisfied (The Monitors 1968) 2:362-11 Where Are We Going? (Alternate Mix) 4:002-12 The World Is Rated X (Alternate Mix) 3:502-13 I’m Gonna Give You Respect 2:552-14 Try It, You’ll Like It 3:552-15 You Are That Special One 3:352-16 We Can Make It Baby 3:202-17 Running From Love (Instrumental Version 1) 3:452-18 Mandota (Instrumental) 3:002-19 Running From Love (Instrumental Version 2) 3:452-20 Come Get To This (Live From Oakland) 2:57

 Marvin Gaye – Let’s Get It On (1973) SHM Deluxe Edition (2009) [16-44]

Reviews

Er zijn al vele albums uitgebracht van Marvin Gaye maar deze cd dubbelaar mag gewoon weg niet ontbreken in je collectie. Het is zeker niet mijn eerste cd van Marvin Gaye maar op de dubbel cd staan werkelijk heerlijke nummers en allemaal bekend (dus niet aangevuld met wat onbekender werk). Dat maakt het luister genot groot en het kost dan ook geen enkele moeite om de muziek dagelijks af te luister genot.

LevertijdWe doen er alles aan om dit artikel op tijd te bezorgen. Het is echter in een enkel geval mogelijk dat door omstandigheden de bezorging vertraagd is.

Bezorgopties We bieden verschillende opties aan voor het bezorgen of ophalen van je bestelling. Welke opties voor jouw bestelling beschikbaar zijn, zie je bij het afronden van de bestelling.

Reviews

Review by Lindsay Planer

This Deluxe Edition is a two-disc celebration of the hedonistic R&B masterpiece Let’s Get It On. The album is Marvin Gaye’s follow-up to the groundbreaking social statement he made on What’s Going On, which can also be thoroughly examined on the likewise expanded What’s Going On [Deluxe Edition]. The two-and-a-half-hour package is divided into four sections, beginning with a complete sonic resurrection of the original eight-song album, which now boasts a 24-bit digital transfer exclusive to this collection. A nine-track sessions segment follows consisting of entirely unissued materials. These exist in the form of instrumentals and undubbed and alternate versions of previously issued songs. This is continued throughout the third section, which contains demos, alternate mixes, and more, ending with a further ten alternate mixes and unissued pieces in various states of completion. These are in effect the recordings that connect such diametric and otherwise polar opposite musical sentiments as What’s Going On with Let’s Get It On. The sound is uniformly breathtaking. The often-jarring and always harsh and brittle sonics that previously plagued the high frequencies throughout the original disc — most specifically the tambourine and other percussion during „Distant Lover,“ for instance — is now organic and unprocessed. The copious bonus material sounds opulent considering it spans over five years. Any slight audio anomaly should be regarded as proof of authenticity. The laid-back strings on „Cakes,“ „Symphony,“ and „Song #3“ observe a new side of Gaye’s talents that rivals the likes of Barry White in terms of swinging soul arrangements. The inclusion of various works-in-progress and other related productions — such as the Miracles‘ („I Love You Secretly“) as well as the Originals (1968) and the Monitors‘ (1970) respective renditions of „Just to Keep You Satisfied“ — examine the close-knit influence that Motown had among its own ranks. Accompanying the two discs — which are housed in a cardboard digipack — is a 24-page booklet replete with previously unpublished photos as well as essays from Gaye biographers Ben EdmundsHarry Weinger, producer and annotator of Let’s Get It On [Deluxe Edition].

Review by Jason Ankeny

After brilliantly surveying the social, political, and spiritual landscape with What’s Going OnMarvin Gaye turned to more intimate matters with Let’s Get It On, a record unparalleled in its sheer sensuality and carnal energy. Always a sexually charged performer, Gaye’s passions reach their boiling point on tracks like the magnificent title hit (a number one smash) and „You Sure Love to Ball“; silky and shimmering, the music is seductive in the most literal sense, its fluid grooves so perfectly designed for romance as to border on parody. With each performance laced with innuendo, each lyric a come-on, and each rhythm throbbing with lust, perhaps no other record has ever achieved the kind of sheer erotic force of Let’s Get It On, and it remains the blueprint for all of the slow jams to follow decades later — much copied, but never imitated.

Marvin Gaye wurde leider nur 45 Jahre alt. Als Künstler bei dem weltbekannten Tamla Motown Label sang er sowohl Songs, die für ihn geschrieben wurden, gehörte aber auch zu einer neuen Riege von Künstlern,…

Am 7. Juli 1980 traf Marvin Gaye am 14. Montreux Jazz Festival in der Schweiz auf ein vorwiegend jazzfreudiges Publikum. Obwohl das Festival einige der berühmtesten Künstler der Jazzwelt präsentierte, wur…

Am 7. Juli 1980 traf Marvin Gaye am 14. Montreux Jazz Festival in der Schweiz auf ein vorwiegend jazzfreudiges Publikum. Obwohl das Festival einige der berühmtesten Künstler der Jazzwelt präsentierte, wur…

Am 7. Juli 1980 traf Marvin Gaye am 14. Montreux Jazz Festival in der Schweiz auf ein vorwiegend jazzfreudiges Publikum. Obwohl das Festival einige der berühmtesten Künstler der Jazzwelt präsentierte, wur…

Motown veröffentlichten die erste Marvin Gaye-Platte »(I’m Afraid) The Masquerade Is Over« 1961; eine Single die für (Radio-)Promotion für das Debütalbum des Sängers gedacht war. Es folgte die offiziell v…

Die Neuauflage der gleichnamigen, mit Platin verkauften Kompilation aus dem Jahr 1983 deckt Marvin Gayes Karriere von seinen wichtigsten Hits der 1960er Jahre bis hin zum Multi-Chart Nr. 1 »Got to Give It…

Am 7. Juli 1980 traf Marvin Gaye am 14. Montreux Jazz Festival in der Schweiz auf ein vorwiegend jazzfreudiges Publikum. Obwohl das Festival einige der berühmtesten Künstler der Jazzwelt präsentierte, wur…

Marvin Gaye zählte zu den talentiertesten, visionärsten Künstlern unter dem Dach von Motown. Er bereitete mit seinem kraftvollen R’nB, seinem weltgewandten Soul und dem Einfluss seiner politischen Haltung…

Marvin Gaye zählte zu den talentiertesten, visionärsten Künstlern unter dem Dach von Motown. Er bereitete mit seinem kraftvollen R’nB, seinem weltgewandten Soul und dem Einfluss seiner politischen Haltung…