Short Film produced by Underdog Productions (Pty) Ltd in 1995.
Note: This film contains some male nudity, contains material of a gay nature, and may be disturbing to younger viewers. It also contains some fast flash shots.
Written & Directed by Luiz DeBarossProduced by: Marc Schwinges
Starring:Tim: David DucasDave: Gerrie BarnardTim Jnr: Glen FineDave Jnr: Leon WeedKid One: Miguel BarrosKid Tow: Marcus MuddPoliceman One: Carlo GoertzPoliceman Two: Criag KellyMother: Mariana CarrilloSon: Sipho Khuzwago Moyo
Director of Photography: Peter PohorskyProduction Manager: Brendan RiceProduction Assistant: David HeckerFocus Puller: Greg PoissonGrip: Tony Slater
Sound: Jeremy HattinghSound: Ian MillerBoom Operator: Sean Kelly
Senior Make-up Artist: Adrienne CohenMake-Up Artist: Ionka Nel
Runners: Wayne Fick, Paul Hanrahan, Hal Couzens, Bronwyn Vermeulen, Oliver Galloway.
Post Production Advisor: Hal CouzensNon-Liner Editor: Llewelyn Roderick
Executive Producers: Marc Schwinges, Catherine Bester & Charlotte Bauer
Why Gay Men Make the Best Bosses
Only three months into his senior manager gig at a Fortune 500 company, Matthew Klein was in way over his head. “I finally walked into my boss’s office, threw my hands in the air, and said, I’m feeling totally overwhelmed and inadequate,’“ he explains. “I basically had a breakdown.“ Many managers would have reacted to such a display by telling him to get back out there and grow a pair. But Klein’s boss had the opposite reaction: First he reassured Klein he was doing a great job, then he helped him prioritize his workload so that it became manageable. “It’s not like he’s this fuzzy guy who would reach across the table and hug you in a meeting—he’s tough as nails,“ says Klein of Robert Ollander-Krane, who is director of learning and development for the company. “But he allowed me to be completely honest about my circumstances. Now we have this huge foundation of trust.“
Wouldn’t that be nice—a boss who actually gave a damn. And while it’s not conclusive, evidence suggests that one of the reasons Ollander-Krane is so effective is that he’s part of a new breed—gay managers—who could be becoming America’s most desirable bosses.
In The G Quotient: Why Gay Executives Are Excelling as Leaders . . . and What Every Manager Needs to Know, author and USC business-school professor Kirk Snyder argues that gay bosses embody a style of personalized attention that allows high-maintenance Gen Xers and Yers to maximize their performance. “Gay executives tend to look at how each individual brings unique abilities, and they see their job as figuring out how best to take advantage of those skills,“ he says.
In fact, during Snyder’s five-year study of American executives, he stumbled on some startling findings: Gay male bosses produce 35 to 60 percent higher levels of employee engagement, satisfaction, and morale than straight bosses. This is no small achievement: According to human-resources consulting firm Towers Perrin, only a measly 14 percent of the global corporate workforce are fully engaged by their jobs. And the Saratoga Institute, a group that measures the effectiveness of HR departments, found that in a study of 20,000 workers who had quit their jobs, the primary motivator for jumping ship was their supervisors’ behavior.
So what makes gay bosses different? It may have to do with the way they survived high school. “Gay people are constantly having to dodge and weave and assess how and where they’re going as they grow up,“ says Snyder. “And that manifests itself as three huge skills: adaptability, intuitive communications, and creative problem-solving.“ In other words, your boss is cool with your leaving a little early one day a week to pick up your kid from school, or happy to offer a learning experience that helps you close a crucial deal.
Gay executives note that the reflection and candidness required for coming out mean that by the time they get to the workplace, gay men are often secure in their identity and don’t feel the need to abuse people in order to boost their ego. “It makes you really honest with yourself and everyone around you,“ says Chris McCarthy, a vice president at MTV Networks who came out 10 years ago. He believes the experience has allowed him to tap into the individual needs of his seven team members, including two discontented employees whom he recently helped find new positions within the company. “I think it’s really important that you give people the opportunity to have self-respect, even if that means helping them leave a job in the way they want to,“ he explains.
And this kind of empathetic management style is both gay and straight benefiting employees. When Brian Wachur, 23, wasn’t getting the promotion he’d been waiting for at his D.C. PR firm, he approached his gay manager, Jason Smith. “I was nervous about what he was going to say, but he was able to tell me where I could improve in a really constructive way,“ he says. “It was a big contrast to other managers I had had in the past.“ Wachur soon got the new title, and he now considers Smith his professional mentor. “It’s definitely surprising to me that I have a 38-year-old gay male in my life who is such a huge influence.“
Matthew Klein says that working for a gay boss has taught him that emotionally honest doesn’t equate to weak in the workplace. “Your typical hetero male is programmed as a boy that there are two emotions: angry and tired,“ he says. “These are gross limitations that restrict our ability to be great managers.“
But being gay doesn’t give you a monopoly on management skills. “The only managers that succeed are ones that have energy and are outgoing and interested,“ says Richard Laermer, the gay CEO of a New York–based PR firm and co-author of Punk Marketing: Get Off Your Ass and Join the Revolution. “If that’s a gay thing, then mazel tov, but I know the same number of straight managers who are emotional and caring.“ And one gay vice president at a financial firm says his leadership traits come from his life history, not from anything related to his sexual orientation. “I was in the military, in a fraternity, and played a varsity sport,“ he says. “I feel like I spend my life explaining that what I’m saying or doing has nothing to do with the fact that I’m gay.“
That said, if your new boss happens to be gay, chances are you’ll be happier and more fulfilled in your job. And even if you’re not, the consolation is that there’s still one area in which he’s likely to excel. Says Smith, “We throw the fiercest holiday parties.“
Since 1957, GQ has inspired men to look sharper and live smarter with its unparalleled coverage of style, culture, and beyond. From award-winning writing and photography to binge-ready videos to electric live events, GQ meets millions of modern men where they live, creating the moments that create conversations.
The 50 Best LGBTQ Movies Ever Made
Here are the best movies that depict the queer experience in all its complexities.
The good news: this year you have time for some movies.
Under normal circumstances, June busts out all over with Pride Month parties and parades. The gay neighborhood thumps with house music. Your bank, cable company and sandwich shop rush to remind you of their support for the LGBTQ+ community. And if you can bear the crowds, you leave a Pride festival with a draft-beer buzz, an application for a rainbow-flag credit card, and a paper fan with Chelsea Handler’s face on it. It’s a lot, but it’s ours.
This year, the public events of LGBTQ Pride Month—much like sports, school, and life itself—are cancelled. We’re stuck inside unless we’re marching for police reform. The few bars that have reopened are for the reckless and foolish, and let’s be honest: there’s only so much dancing a person can do on Zoom. The conditions are optimal for you to catch up on your queer cinema.
We’ve come a ways in fifty years, from the self-loathing middle-aged men of The Boys In The Band to the peppy teens of Love, Simon. The range runs from the shoestring brilliance of The Watermelon Woman to the big-budget glitter-bomb that is Rocketman. 1982’s tentative Making Love derailed the careers of its two lead actors; 2017’s Call Me By Your Name cemented its pair as movie stars. While gay characters tended until much too recently to be one-dimensional, white, and doomed, in 2018 Barry Jenkins won a Best Picture Oscar telling the layered and hopeful story of a gay Black man in Moonlight.
There’s a lot of history to explore, and there’s never been a better time to do it. Borrow a streaming service password from family– however you define it!–and dive in.
If it feels a bit like a CW version of an Afterschool Special, that’s no mistake: teen-tv super-producer Greg Berlanti makes his feature film directorial debut here. It’s as chaste a love story as you’re likely to see in the 21st century— the hunky gardener who makes the title teen question his sexuality is wearing a long-sleeved shirt, for God’s sake—but you know what? The queer kids of the future need their wholesome entertainment too.
Audrey Hepburn and Shirley MacLaine play headmistresses at a school for girls who are accused by a student of being in a lesbian relationship. While the accusation is false, it nearly ruins the women’s standing in their community and threatens their friendship—and forces one of them to reevaluate her own identity.
A gay fantasia on Elton themes. An Elton John biopic was never going to be understated, but this glittering jukebox musical goes way over the top and then keeps going. It might be an overcorrection from the straight-washing of the previous year’s Bohemian Rhapsody, but when it’s this much fun, it’s best not to overthink it.
Charming Irish movie that answers the question: “What if John Hughes were Irish and gay?” Misfit Ned struggles at a rugby-obsessed boarding school until a mysterious new kid moves in and an unlikely friendship changes them both. Along the way, a rousing performance from Andrew Scott as an inspiring teacher with a secret of his own, and a rugby game set to a Rufus Wainwright song. Just the thing to lift your spirits.
The life of Cuba’s „transformistas“ is captured beautifully in this father-son story about a boy who wants to perform drag and his father, newly released from prison and unable to accept who his son is. Shot beautifully, with great music and a close look at Havana in all its run-down and colorful glory.
The quintessential ’80s lesbian romantic drama, Desert Hearts follows an English professor and a young sculptor as they fall in love at a Nevada ranch in the 1950s. Unique for its time, it sets its romance in a warm, affirming environment and lets its leads enjoy their relationship without angst or fear of death.
Ira Sachs’s autobiographical drama packs a hard punch as it follows a filmmaker, Erick, throughout his relationship with a young lawyer, Paul, which begins as a random sexual encounter and implodes following Paul’s drug and sex addiction.
Wong Kar-wai won Best Director at the 1997 Cannes Film Festival for this film about two Hong Kong men who emigrate to Buenos Aires, after the handover of Hong Kong to China put LGBT lives in jeopardy.
Former SNL head-writer and The Other Two co-creator Chris Kelly makes his directorial debut in a semi-autobiographical account of his mother’s death from cancer. Molly Shannon gives a devastating performance, the tragic qualities of the Sacramento gay bar are hilariously explored, and the viewer is forced to re-evaluate Train’s “Drops of Jupiter.” Given how much you will cry, this is perhaps a risky watch in a time when tissue paper is scarce. We say pull a full-size bath towel out of the cabinet and dive in.
Cheryl Dunye directs and stars in this microbudget indie about an African-American lesbian searching for an uncredited black actress from a 1930s film. Along the way, she falls in and out of love, and meets the real Camille Paglia.
Julianne Moore and Annette Bening play lesbian mothers to two teenagers whose blissful modern family is rocked when their kids seek out their sperm-doner father played by Mark Ruffalo. The family unit falls into crisis when his sudden appearance into their lives causes a rift between the two women as well as their kids
Starring Mariel Hemingway and a raft of real-life track and field stars, Personal Best follows a young bisexual pentathlete vying for a spot on the U.S. Olympic Team and exploring a relationship with her lesbian coach—played by Olympic hurdler Patrice Donnelly.
Eliza Hittman’s dark and moody film plays out a bit like a thriller, one in which a Brooklyn teenager named Frankie (a superb Harris Dickinson, in a nearly wordless performance), who spends his idle hours hanging with his delinquent friends, fooling around with his girlfriend, or hooking up with men he meets online. Beach Rats is a provocative look at the personal and secret urges we often fear will come out into the light.
Gus Van Sant’s loose Shakespearean adaptation brought the New Queer Cinema movement into the mainstream, with River Phoenix as a young, narcoleptic hustler and Keanu Reeves as his best friend and unrequited love interest.
„Don’t you know I would have gone through life half-awake if you’d had the decency to leave me alone?“ All the lushness of a Merchant Ivory production, with gay men at its center. Even if this weren’t a beautiful, affecting film, Hugh Grant’s hair alone would earn it a spot on this list.
Peter Jackson was journeying through fantasy worlds long before Lord of the Rings—albeit one conjured up by two very real New Zealand school girls (played by then-newcomers Kate Winslet and Melanie Lynskey) who escape their own realities through their imaginations. But their connection turns intense and dangerous when they conspire to commit murder in one of the most notorious true crime stories of all time.
The first wide-release studio film with a homosexual relationship at its center (and for decades, the last). Making Love follows Michael Ontkean’s Zack, who is married to Claire (Kate Jackson) but exploring his homosexuality with Harry Hamlin’s Bart. It’s not a perfect film, but it took a giant risk, and gives us a rare snapshot of Los Angeles‘ gay life in the moment just before AIDS.
Long before his groundbreaking Brokeback Mountain, Ang Lee directed this sweet, comic tale about a Taiwanese immigrant living in New York with his partner. When he offers to marry a Chinese woman so she can obtain a green card, the marriage of convenience spirals out of control when his parents find out and throw a lavish wedding party.
Mike Mills’s sweet 2010 film concerns a Los Angeles artist, played by Ewan MacGregor, building a relationship with his newly-out father (Christopher Plummer) in the last year of the older man’s life. Beginners earned Plummer an Academy Award for Best Supporting Actor and features a talking Jack Russell terrier. In short, it’s pretty much perfect.
When Megan (Natasha Lyonne) shows more interest in being a vegetarian and female-fronted folk rock, her parents send her away to have her presumed homosexuality cured. Conversion therapy is no joke, but Jamie Babbit’s satire perfectly skewers puritanical homophobia on its head—and it has a joyful, happy ending. (Plus, RuPaul!)
Dee Rees’s gorgeous directorial debut stars Adepero Oduye as Alike, a Brooklyn teenager who comes to terms with her own sexuality and puts the comforts of friends and family at risk as she discovers how to express her identity.
On a scorching August day, Al Pacino’s Sonny attempts to rob a bank in Brooklyn, and…things do not go well. The instant, intense media fame Sonny earns feels more relevant than ever, and things turn surprisingly tender when we learn he plans to use the stolen money for his lover’s gender confirmation surgery.
A Pakistani Brit and his former lover, who has become a fascist street punk, reunite and run a family laundromat. The characters deal with the materialism and anti-immigrant furor of Thatcher’s England—elements that feel just a little bit too relevant at the moment.
Based on the autobiography of gay Cuban poet Reinaldo Arenas, Julian Schnabel’s film brought Javier Bardem to the world’s attention and highlighted the cruelty and homophobia of Castro’s Cuba and Reagan’s America
John Cameron Mitchell brings his cult musical about „internationally ignored“ transgender rock star Hedwig to the screen. In this version, Mitchell shows us the backstory he was only able to tell on stage, and introduces us to Michael Pitt’s Tommy Gnosis. The rare rock musical that actually rocks.
Tom Ford’s directorial debut adapts Christopher Isherwood’s novel about an English professor in returning to life a year after the death of his lover. As you would expect from Ford, it is a relentlessly stylish affair, with indelible performances by Colin Firth and Julianne Moore.
Some might find this adaptation of Paul Rudnick’s off-Broadway play to be a little dated with its treatment of the dating scene in early to mid-’90s New York City. But Jeffrey’s strength is found in its comic and playful look at a search for love amid the AIDS crisis, offering the kind of unabashed joy most of its contemporaries were unable to match.
Lisa Cholodenko’s chic directorial debut features a revelatory performance from Ally Sheedy as a prematurely retired photographer, and Radha Mitchell as the young woman who can revitalize her career.
Pedro Almodóvar’s comic melodramas are filled to the brim with delightfully absurd characters, and his Oscar-winning All About My Mother offers some of the best. After the death of her son, Manuela seeks out to find his father—who now goes by the name of Lola. Along for the journey is a young nun (played by Penelope Cruz) who is newly pregnant with Lola’s baby.
A group of London LGBT activists form a coalition with striking Welsh miners in Thatcher’s U.K. Stephen Beresford’s Golden Globe-nominated screenplay underscores the need, as urgent as ever, for oppressed groups to join forces. There is power in a union!
Norman Rene’s film follows a group of gay men through the early years of the AIDS crisis, one day per year, starting on the day the New York Times first covered the story of the „gay cancer.“ A deep meditation on grief, gallows humor, and the families we make with our friends.
What do a recently divorced woman and a middle-aged gay man have in common? They’re both having an affair with a charming and stylish artist—and they’re aware that the lover they share in common isn’t exclusive to them. John Schlesinger’s acclaimed drama depicts two people who seek surprising ways to break free of their dull lives and reclaim their untamed youth.
When her older lover, Orlando, dies suddenly, Marina must put her grief on pause as Orlando’s ex-wife and family immediately shun her because she is transgender. The winner of this year’s Oscar for Best Foreign Language film, Sebastián Lelio’s drama features a stirring lead performance from actress Daniela Vega.
A closeted Northern Englishman prepares to take over his family farm, with some help from a Romanian farmhand whom his father has hired. A heartbreaking depiction of British repression, with a supporting performance from a newborn lamb that will make you vegan for at least an hour. It’s as delicate and beautiful as it is— let’s be honest here—extremely hot.
Spielberg followed up Indiana Jones and the Temple of Doom with this adaptation of Alice Walker’s novel. In her film debut, Whoopi Goldberg plays Celie, an African-American woman in the early 20th century, who fights her way through oppression and abuse and finds an unexpected love along the way.
This slice of gay life in mid-’80s Manhattan gave Steve Buscemi his first major film role, and tackled the AIDS crisis in a frank, non-sensational, even humorous manner. Along the way, glimpses of a long-forgotten bohemian New York, Reagan-era Fire Island, and a pre-Drew Carey Show Kathy Kinney
Shot on iPhones along Santa Monica Boulevard’s unofficial red light district, Tangerine follows two transgender sex workers and one lovesick cab driver through a particularly eventful Christmas Eve. Director Sean Baker found his leads—two first-time film actors—at the actual donut shop where much of the movie’s action takes place.
Two drag queens (Hugo Weaving and Guy Pearce) and a transgender woman (Terence Stamp) travel across the barren Australian Outback in a giant pink bus named Priscilla en route to a cabaret gig in Alice Springs. Hilarity ensues as their travels involve misadventure after misadventure, but the trio come together as a family unit as they learn more about each other and their personal lives
This film kept its NC-17 rating for some explicit, passionate sex scenes between leads Léa Seydoux and Adèle Exarchopoulos, but it is at its heart a movie about youth, art, heartbreak, and the thrill of exploring one’s identity.
Who among us hasn’t been hanging out in the late 1700s, waiting on our customary proposal portrait to be finished so that we can find a proper spouse, only to fall for our portrait artist of the same sex? Rats! Fooled by queer impulses again. Portrait of a Lady on Fire is one of the most recent additions to the queer canon, and it already boasts quite a reputation for examining the complex relationship between two women who dared to love in an era when their love was absolutely forbidden.
The first mainstream queer film of the new millennium, Brokeback Mountain ushered its themes into the mainstream. Heath Ledger’s shy Ennis del Mar falls in what he cannot articulate as love with Jake Gyllenhaal’s Jack Twist over a long, lonely winter, and their lives bounce off each other’s for years afterward. Ang Lee and screenwriter Larry McMurtry expand Annie Proulx’s short story into a film without one false moment.
Melissa McCarthy got an Oscar nomination for her portrayal of Lee Israel, a caustic celebrity biographer who turns to literary forgery when her career stalls. Richard E. Grant is wonderful as her co-conspirator, but it’s McCarthy’s attempt at romance with Dolly Wells’ shy bookstore owner that gives the movie its heart.
The greatest, most achingly beautiful gay male romance movie. Timothée Chalamet plays the precocious Elio, a teenager living in Italy who becomes infatuated with an older American student, Oliver (Armie Hammer), who is staying with his family for the summer. What begins as a contentious friendship turns into a full-blown love affair as the two young men spend their idle summer days in the lush Mediterranean locale, bracing themselves for an inevitable heartbreak.
If any film can be credited with kicking off our cultural conversation on gender, this is it. Hilary Swank’s breakthrough performance anchors Kimberly Peirce’s film about the murder of Nesbraskan trans man Brandon Teena. Boys Don’t Cry was originally given an NC-17 for even addressing trans issues, but was later downgraded to an R.
Mike Nichols’s American remake of La Cage aux Folles features Robin Williams as a gay nightclub owner whose son announces his engagement to the daughter of an ultra-conservative politician. In typical farce style, his partner (Nathan Lane)—the star of his club’s drag show—poses as his dowdy wife in order to convince his son’s future in-laws that they’re a wholesome American family.
Set in the early ’90s, this energetic and emotional drama follows a group of activists in Paris fighting the government and its slow-moving efforts to battle the HIV/AIDS epidemic. While highlighting the dramatic and powerful work from ACT UP, the film also depicts the personal stories of those fighting for their lives, delivering a human and urgent remembrance of the plague that afflicted millions across the globe—and continues on today.
Todd Haynes brings Patricia Highsmith’s cult novel to the big screen in this lush and seductive film following a young shopgirl named Therese (Rooney Mara) who finds herself charmed by an alluring older woman named Carol (Cate Blanchett). The two set out on a road trip on which they consummate an unspoken passion for each other—one that ultimately brings ruin to Carol’s marriage and awakens dark desires within Therese.
Tom Hanks won his first Oscar for his performance as Andrew Beckett, a successful lawyer who is fired from his firm once the senior partners discover he has AIDS. Jonathan Demme’s searing drama was the first mainstream film to tackle the AIDS crisis, and it gave a familiar face and voice to a marginalized community often ignored by their neighbors and left to suffer because of an intolerant society.
Based on the play by Mart Crawley, and released less than a year after the Stonewall riots, The Boys in the Band perfectly depicts the complex experience of being a gay man at the time—at times joyful, often times confusing, painful, and informed by self-loathing. This comedy still manages to balance the bite and the tenderness for its collection of characters, with its group of young gay men in New York City falling in and out of love (and friendship), and unknowingly on the brink of a cultural revolution.
The only film on this list to earn an Oscar for Best Picture—and deservedly so. Barry Jenkins explores masculinity and repression in his study of Chiron, a young man coming of age in Miami (and played by three different actors at various stages of his life) who grapples with his sexual identity amid his troubled relationship with his crack-addicted mother. Chiron longs to break free of the predetermined path set out for himself by his environment, a journey set into motion by encounter with one of his male peers