Big Muscles

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Hot Legs (Short Gay Film)

Short Film produced by Underdog Productions (Pty) Ltd in 1995.

Note: This film contains some male nudity, contains material of a gay nature, and may be disturbing to younger viewers. It also contains some fast flash shots.

Written & Directed by Luiz DeBarossProduced by: Marc Schwinges

Starring:Tim: David DucasDave: Gerrie BarnardTim Jnr: Glen FineDave Jnr: Leon WeedKid One: Miguel BarrosKid Tow: Marcus MuddPoliceman One: Carlo GoertzPoliceman Two: Criag KellyMother: Mariana CarrilloSon: Sipho Khuzwago Moyo

Director of Photography: Peter PohorskyProduction Manager: Brendan RiceProduction Assistant: David HeckerFocus Puller: Greg PoissonGrip: Tony Slater

Sound: Jeremy HattinghSound: Ian MillerBoom Operator: Sean Kelly

Senior Make-up Artist: Adrienne CohenMake-Up Artist: Ionka Nel

Runners: Wayne Fick, Paul Hanrahan, Hal Couzens, Bronwyn Vermeulen, Oliver Galloway.

Post Production Advisor: Hal CouzensNon-Liner Editor: Llewelyn Roderick

Executive Producers: Marc Schwinges, Catherine Bester & Charlotte Bauer

Hot Legs (Short Gay Film)

The best gay sex positions: How do gay men have sex?

As anyone who’s ever had gay sex, thought about gay sex or watched gay sex will know there are endless combinations possible gay sex positions. But where to start? What feels best? How do you gay men have sex?

This guide to the four most accessible – and we reckon most pleasurable – gay sex positions will help get you started.

Before we get stuck into how to stick it in, we’d always condone safer sex and recommend you read our guide to PrEP, and always use condoms when having sex.

The best gay sex positions: How do gay men have sex?

Big Hunk – Brad Hollibaugh

I am honored to bring to you this members only site to cater to you! I am posting pictures and video clips based on what you would like to see me do (ok my boundaries). So I want your input and suggestions on what kind of posing, workouts, strength feats, wrestling,or just simple lifestyle things you would like to see me do. I, along with my wonderful webmaster, will be updating this site biweekly with new photos and video clips. I will also be doing a biweekly group webcam show for the members of this site and stay tuned for dates and times. I try to make myself available most of the time for the private one on one webcam shows which you can also sign up for on this site. I just want to thank each and everyone of you for becoming a member and for your support. It took me over 20 years to attain my physique and I am so thankful that I have wonderful friends like yourselves that appreciate what I do.

Big Hunk – Brad Hollibaugh

The 50 Best LGBTQ Movies Ever Made

Here are the best movies that depict the queer experience in all its complexities.

The good news: this year you have time for some movies.

Under normal circumstances, June busts out all over with Pride Month parties and parades. The gay neighborhood thumps with house music. Your bank, cable company and sandwich shop rush to remind you of their support for the LGBTQ+ community. And if you can bear the crowds, you leave a Pride festival with a draft-beer buzz, an application for a rainbow-flag credit card, and a paper fan with Chelsea Handler’s face on it. It’s a lot, but it’s ours.

This year, the public events of LGBTQ Pride Month—much like sports, school, and life itself—are cancelled. We’re stuck inside unless we’re marching for police reform. The few bars that have reopened are for the reckless and foolish, and let’s be honest: there’s only so much dancing a person can do on Zoom. The conditions are optimal for you to catch up on your queer cinema.

We’ve come a ways in fifty years, from the self-loathing middle-aged men of The Boys In The Band to the peppy teens of Love, Simon. The range runs from the shoestring brilliance of The Watermelon Woman to the big-budget glitter-bomb that is Rocketman. 1982’s tentative Making Love derailed the careers of its two lead actors; 2017’s Call Me By Your Name cemented its pair as movie stars. While gay characters tended until much too recently to be one-dimensional, white, and doomed, in 2018 Barry Jenkins won a Best Picture Oscar telling the layered and hopeful story of a gay Black man in Moonlight.

There’s a lot of history to explore, and there’s never been a better time to do it. Borrow a streaming service password from family– however you define it!–and dive in.

If it feels a bit like a CW version of an Afterschool Special, that’s no mistake: teen-tv super-producer Greg Berlanti makes his feature film directorial debut here. It’s as chaste a love story as you’re likely to see in the 21st century— the hunky gardener who makes the title teen question his sexuality is wearing a long-sleeved shirt, for God’s sake—but you know what? The queer kids of the future need their wholesome entertainment too.

Audrey Hepburn and Shirley MacLaine play headmistresses at a school for girls who are accused by a student of being in a lesbian relationship. While the accusation is false, it nearly ruins the women’s standing in their community and threatens their friendship—and forces one of them to reevaluate her own identity.

A gay fantasia on Elton themes. An Elton John biopic was never going to be understated, but this glittering jukebox musical goes way over the top and then keeps going. It might be an overcorrection from the straight-washing of the previous year’s Bohemian Rhapsody, but when it’s this much fun, it’s best not to overthink it.

Charming Irish movie that answers the question: “What if John Hughes were Irish and gay?” Misfit Ned struggles at a rugby-obsessed boarding school until a mysterious new kid moves in and an unlikely friendship changes them both. Along the way, a rousing performance from Andrew Scott as an inspiring teacher with a secret of his own, and a rugby game set to a Rufus Wainwright song. Just the thing to lift your spirits.

The life of Cuba’s „transformistas“ is captured beautifully in this father-son story about a boy who wants to perform drag and his father, newly released from prison and unable to accept who his son is. Shot beautifully, with great music and a close look at Havana in all its run-down and colorful glory.

The quintessential ’80s lesbian romantic drama, Desert Hearts follows an English professor and a young sculptor as they fall in love at a Nevada ranch in the 1950s. Unique for its time, it sets its romance in a warm, affirming environment and lets its leads enjoy their relationship without angst or fear of death.

Ira Sachs’s autobiographical drama packs a hard punch as it follows a filmmaker, Erick, throughout his relationship with a young lawyer, Paul, which begins as a random sexual encounter and implodes following Paul’s drug and sex addiction.

Wong Kar-wai won Best Director at the 1997 Cannes Film Festival for this film about two Hong Kong men who emigrate to Buenos Aires, after the handover of Hong Kong to China put LGBT lives in jeopardy.

Former SNL head-writer and The Other Two co-creator Chris Kelly makes his directorial debut in a semi-autobiographical account of his mother’s death from cancer. Molly Shannon gives a devastating performance, the tragic qualities of the Sacramento gay bar are hilariously explored, and the viewer is forced to re-evaluate Train’s “Drops of Jupiter.” Given how much you will cry, this is perhaps a risky watch in a time when tissue paper is scarce. We say pull a full-size bath towel out of the cabinet and dive in.

Cheryl Dunye directs and stars in this microbudget indie about an African-American lesbian searching for an uncredited black actress from a 1930s film. Along the way, she falls in and out of love, and meets the real Camille Paglia.

Julianne Moore and Annette Bening play lesbian mothers to two teenagers whose blissful modern family is rocked when their kids seek out their sperm-doner father played by Mark Ruffalo. The family unit falls into crisis when his sudden appearance into their lives causes a rift between the two women as well as their kids

Starring Mariel Hemingway and a raft of real-life track and field stars, Personal Best follows a young bisexual pentathlete vying for a spot on the U.S. Olympic Team and exploring a relationship with her lesbian coach—played by Olympic hurdler Patrice Donnelly.

Eliza Hittman’s dark and moody film plays out a bit like a thriller, one in which a Brooklyn teenager named Frankie (a superb Harris Dickinson, in a nearly wordless performance), who spends his idle hours hanging with his delinquent friends, fooling around with his girlfriend, or hooking up with men he meets online. Beach Rats is a provocative look at the personal and secret urges we often fear will come out into the light.

Gus Van Sant’s loose Shakespearean adaptation brought the New Queer Cinema movement into the mainstream, with River Phoenix as a young, narcoleptic hustler and Keanu Reeves as his best friend and unrequited love interest.

„Don’t you know I would have gone through life half-awake if you’d had the decency to leave me alone?“ All the lushness of a Merchant Ivory production, with gay men at its center. Even if this weren’t a beautiful, affecting film, Hugh Grant’s hair alone would earn it a spot on this list.

Peter Jackson was journeying through fantasy worlds long before Lord of the Rings—albeit one conjured up by two very real New Zealand school girls (played by then-newcomers Kate Winslet and Melanie Lynskey) who escape their own realities through their imaginations. But their connection turns intense and dangerous when they conspire to commit murder in one of the most notorious true crime stories of all time.

The first wide-release studio film with a homosexual relationship at its center (and for decades, the last). Making Love follows Michael Ontkean’s Zack, who is married to Claire (Kate Jackson) but exploring his homosexuality with Harry Hamlin’s Bart. It’s not a perfect film, but it took a giant risk, and gives us a rare snapshot of Los Angeles‘ gay life in the moment just before AIDS.

Long before his groundbreaking Brokeback Mountain, Ang Lee directed this sweet, comic tale about a Taiwanese immigrant living in New York with his partner. When he offers to marry a Chinese woman so she can obtain a green card, the marriage of convenience spirals out of control when his parents find out and throw a lavish wedding party.

Mike Mills’s sweet 2010 film concerns a Los Angeles artist, played by Ewan MacGregor, building a relationship with his newly-out father (Christopher Plummer) in the last year of the older man’s life. Beginners earned Plummer an Academy Award for Best Supporting Actor and features a talking Jack Russell terrier. In short, it’s pretty much perfect.

When Megan (Natasha Lyonne) shows more interest in being a vegetarian and female-fronted folk rock, her parents send her away to have her presumed homosexuality cured. Conversion therapy is no joke, but Jamie Babbit’s satire perfectly skewers puritanical homophobia on its head—and it has a joyful, happy ending. (Plus, RuPaul!)

Dee Rees’s gorgeous directorial debut stars Adepero Oduye as Alike, a Brooklyn teenager who comes to terms with her own sexuality and puts the comforts of friends and family at risk as she discovers how to express her identity.

On a scorching August day, Al Pacino’s Sonny attempts to rob a bank in Brooklyn, and…things do not go well. The instant, intense media fame Sonny earns feels more relevant than ever, and things turn surprisingly tender when we learn he plans to use the stolen money for his lover’s gender confirmation surgery.

A Pakistani Brit and his former lover, who has become a fascist street punk, reunite and run a family laundromat. The characters deal with the materialism and anti-immigrant furor of Thatcher’s England—elements that feel just a little bit too relevant at the moment.

Based on the autobiography of gay Cuban poet Reinaldo Arenas, Julian Schnabel’s film brought Javier Bardem to the world’s attention and highlighted the cruelty and homophobia of Castro’s Cuba and Reagan’s America

John Cameron Mitchell brings his cult musical about „internationally ignored“ transgender rock star Hedwig to the screen. In this version, Mitchell shows us the backstory he was only able to tell on stage, and introduces us to Michael Pitt’s Tommy Gnosis. The rare rock musical that actually rocks.

Tom Ford’s directorial debut adapts Christopher Isherwood’s novel about an English professor in returning to life a year after the death of his lover. As you would expect from Ford, it is a relentlessly stylish affair, with indelible performances by Colin Firth and Julianne Moore.

Some might find this adaptation of Paul Rudnick’s off-Broadway play to be a little dated with its treatment of the dating scene in early to mid-’90s New York City. But Jeffrey’s strength is found in its comic and playful look at a search for love amid the AIDS crisis, offering the kind of unabashed joy most of its contemporaries were unable to match.

Lisa Cholodenko’s chic directorial debut features a revelatory performance from Ally Sheedy as a prematurely retired photographer, and Radha Mitchell as the young woman who can revitalize her career.

Pedro Almodóvar’s comic melodramas are filled to the brim with delightfully absurd characters, and his Oscar-winning All About My Mother offers some of the best. After the death of her son, Manuela seeks out to find his father—who now goes by the name of Lola. Along for the journey is a young nun (played by Penelope Cruz) who is newly pregnant with Lola’s baby.

A group of London LGBT activists form a coalition with striking Welsh miners in Thatcher’s U.K. Stephen Beresford’s Golden Globe-nominated screenplay underscores the need, as urgent as ever, for oppressed groups to join forces. There is power in a union!

Norman Rene’s film follows a group of gay men through the early years of the AIDS crisis, one day per year, starting on the day the New York Times first covered the story of the „gay cancer.“ A deep meditation on grief, gallows humor, and the families we make with our friends.

What do a recently divorced woman and a middle-aged gay man have in common? They’re both having an affair with a charming and stylish artist—and they’re aware that the lover they share in common isn’t exclusive to them. John Schlesinger’s acclaimed drama depicts two people who seek surprising ways to break free of their dull lives and reclaim their untamed youth.

When her older lover, Orlando, dies suddenly, Marina must put her grief on pause as Orlando’s ex-wife and family immediately shun her because she is transgender. The winner of this year’s Oscar for Best Foreign Language film, Sebastián Lelio’s drama features a stirring lead performance from actress Daniela Vega.

A closeted Northern Englishman prepares to take over his family farm, with some help from a Romanian farmhand whom his father has hired. A heartbreaking depiction of British repression, with a supporting performance from a newborn lamb that will make you vegan for at least an hour. It’s as delicate and beautiful as it is— let’s be honest here—extremely hot.

Spielberg followed up Indiana Jones and the Temple of Doom with this adaptation of Alice Walker’s novel. In her film debut, Whoopi Goldberg plays Celie, an African-American woman in the early 20th century, who fights her way through oppression and abuse and finds an unexpected love along the way.

This slice of gay life in mid-’80s Manhattan gave Steve Buscemi his first major film role, and tackled the AIDS crisis in a frank, non-sensational, even humorous manner. Along the way, glimpses of a long-forgotten bohemian New York, Reagan-era Fire Island, and a pre-Drew Carey Show Kathy Kinney

Shot on iPhones along Santa Monica Boulevard’s unofficial red light district, Tangerine follows two transgender sex workers and one lovesick cab driver through a particularly eventful Christmas Eve. Director Sean Baker found his leads—two first-time film actors—at the actual donut shop where much of the movie’s action takes place.

Two drag queens (Hugo Weaving and Guy Pearce) and a transgender woman (Terence Stamp) travel across the barren Australian Outback in a giant pink bus named Priscilla en route to a cabaret gig in Alice Springs. Hilarity ensues as their travels involve misadventure after misadventure, but the trio come together as a family unit as they learn more about each other and their personal lives

This film kept its NC-17 rating for some explicit, passionate sex scenes between leads Léa Seydoux and Adèle Exarchopoulos, but it is at its heart a movie about youth, art, heartbreak, and the thrill of exploring one’s identity.

Who among us hasn’t been hanging out in the late 1700s, waiting on our customary proposal portrait to be finished so that we can find a proper spouse, only to fall for our portrait artist of the same sex? Rats! Fooled by queer impulses again. Portrait of a Lady on Fire is one of the most recent additions to the queer canon, and it already boasts quite a reputation for examining the complex relationship between two women who dared to love in an era when their love was absolutely forbidden.

The first mainstream queer film of the new millennium, Brokeback Mountain ushered its themes into the mainstream. Heath Ledger’s shy Ennis del Mar falls in what he cannot articulate as love with Jake Gyllenhaal’s Jack Twist over a long, lonely winter, and their lives bounce off each other’s for years afterward. Ang Lee and screenwriter Larry McMurtry expand Annie Proulx’s short story into a film without one false moment.

Melissa McCarthy got an Oscar nomination for her portrayal of Lee Israel, a caustic celebrity biographer who turns to literary forgery when her career stalls. Richard E. Grant is wonderful as her co-conspirator, but it’s McCarthy’s attempt at romance with Dolly Wells’ shy bookstore owner that gives the movie its heart.

The greatest, most achingly beautiful gay male romance movie. Timothée Chalamet plays the precocious Elio, a teenager living in Italy who becomes infatuated with an older American student, Oliver (Armie Hammer), who is staying with his family for the summer. What begins as a contentious friendship turns into a full-blown love affair as the two young men spend their idle summer days in the lush Mediterranean locale, bracing themselves for an inevitable heartbreak.

If any film can be credited with kicking off our cultural conversation on gender, this is it. Hilary Swank’s breakthrough performance anchors Kimberly Peirce’s film about the murder of Nesbraskan trans man Brandon Teena. Boys Don’t Cry was originally given an NC-17 for even addressing trans issues, but was later downgraded to an R.

Mike Nichols’s American remake of La Cage aux Folles features Robin Williams as a gay nightclub owner whose son announces his engagement to the daughter of an ultra-conservative politician. In typical farce style, his partner (Nathan Lane)—the star of his club’s drag show—poses as his dowdy wife in order to convince his son’s future in-laws that they’re a wholesome American family.

Set in the early ’90s, this energetic and emotional drama follows a group of activists in Paris fighting the government and its slow-moving efforts to battle the HIV/AIDS epidemic. While highlighting the dramatic and powerful work from ACT UP, the film also depicts the personal stories of those fighting for their lives, delivering a human and urgent remembrance of the plague that afflicted millions across the globe—and continues on today.

Todd Haynes brings Patricia Highsmith’s cult novel to the big screen in this lush and seductive film following a young shopgirl named Therese (Rooney Mara) who finds herself charmed by an alluring older woman named Carol (Cate Blanchett). The two set out on a road trip on which they consummate an unspoken passion for each other—one that ultimately brings ruin to Carol’s marriage and awakens dark desires within Therese.

Tom Hanks won his first Oscar for his performance as Andrew Beckett, a successful lawyer who is fired from his firm once the senior partners discover he has AIDS. Jonathan Demme’s searing drama was the first mainstream film to tackle the AIDS crisis, and it gave a familiar face and voice to a marginalized community often ignored by their neighbors and left to suffer because of an intolerant society.

Based on the play by Mart Crawley, and released less than a year after the Stonewall riots, The Boys in the Band perfectly depicts the complex experience of being a gay man at the time—at times joyful, often times confusing, painful, and informed by self-loathing. This comedy still manages to balance the bite and the tenderness for its collection of characters, with its group of young gay men in New York City falling in and out of love (and friendship), and unknowingly on the brink of a cultural revolution.

The only film on this list to earn an Oscar for Best Picture—and deservedly so. Barry Jenkins explores masculinity and repression in his study of Chiron, a young man coming of age in Miami (and played by three different actors at various stages of his life) who grapples with his sexual identity amid his troubled relationship with his crack-addicted mother. Chiron longs to break free of the predetermined path set out for himself by his environment, a journey set into motion by encounter with one of his male peers

The 50 Best LGBTQ Movies Ever Made

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Touko Laaksonen’s groundbreaking gay erotic art has made him a global icon. For more than 50 years until his death in 1991, the artist better known as ‘Tom of Finland’ drew gay men in a way that was radical: his muscular young hunks were happy, playful and unashamedly sexual, without being menacing.

His work, which he liked to call ‘dirty drawings’, first found an audience on the gay underground in the 1950s and 1960s, but since then has edged ever closer to mainstream acceptance. His hyper-masculine aesthetic has influenced Freddie Mercury, Frankie Goes to Hollywood, Village People, fashion designer Jean-Paul Gaultier, and photographers Robert Mapplethorpe and Bruce Weber. It’s also become a globally recognised brand to the extent that you can now buy a Tom of Finland tea towel on Amazon. But nevertheless, his more explicit work retains an unwavering capacity to shock.

Touko Laaksonen’s friend Durk Dehner (here pictured at London’s House of Illustration) has ensured the survival of his legacy

His posthumous success has undoubtedly been bolstered by the fact that in 1984, towards the end of his life, Laaksonen founded a non-profit foundation with his friend Durk Dehner to preserve and promote his catalogue of more than 3,500 illustrations. The Tom of Finland Foundation has championed Laaksonen’s work so effectively that it’s now displayed at leading galleries including New York City’s Museum of Modern Art, the Art Institute of Chicago and the Museum of Contemporary Art, Los Angeles. In 2014, the Finnish postal service even celebrated his impact with a set of commemorative postage stamps. And this month, the UK’s first public exhibition dedicated solely to his work opened at London’s House of Illustration (though the gallery is currently closed due to the Coronavirus crisis). Curator Olivia Ahmad says the show, produced in collaboration with the Tom of Finland Foundation on the centenary of Laaksonen’s birth, is necessary because he’s “one of the most influential figurative artists of the late 20th Century”.

At the same time, Tom of Finland is still more of a cult figure than a household name like Andy Warhol (who owned several of his pieces) because his art remains incredibly provocative, especially to the straight male gaze. Many of his illustrations show men with heavily muscled torsos and surreally large genitalia engaging gleefully in sex acts. Some early Tom of Finland illustrations depicting soldiers in Nazi uniforms are also inherently problematic. Art historian Dr James Hicks says Tom of Finland is sometimes overlooked in the mainstream art world because “his work is dangerous and is meant to be dangerous”.

Equally, Tom of Finland’s deification of a certain type of gay man – muscular and avowedly masculine – hasn’t necessarily endeared him to all corners of the LGBTQ community. His influential drawings of men in leather and biker outfits helped to inspire the popular Gay Clone look that Freddie Mercury and Frankie Goes to Hollywood adopted and brought into the mainstream, but also made his work appear exclusionary to other queer factions.

Even though I had to hide my own desires – or maybe because of it – I started drawing fantasies of free and happy gay men – Tom Laaksonen

In the 2011 book Tom of Finland: Life and Work of a Gay Hero, Dehner reflected that members of an activist group called Queer Nation “protested [Touko] not long after his death, calling him a ‘sell out’ – only drawing what they saw as ‘straights’.” And in 2020, Tom of Finland’s stylised hunks could look like the embodiment of the toxic ‘masc4masc’ culture that pervades gay dating apps, shaming queer men who present in a more femme way.

Tom of Finland’s drawings were inherently subversive – because they dared to present imagery that mainstream society wasn’t ready to accept

However, it’s important not to separate Tom of Finland’s drawings from the historical context in which he created them. “At the time when I became aware of my sexual orientation, before World War Two, all gay activity was forbidden by law in most countries,” Laaksonen writes in the preface to his 1988 book, Retrospective I. Laaksonen, born in 1920 and raised by schoolteacher parents in a small town in southwestern Finland, says the first gay men he encountered “felt ashamed and guilty, like [they were] belonging to a lower human category” as a result of the prejudice they faced. He also acknowledges that his creativity was a reaction to this shame, saying: “Even though I had to hide my own desires – or maybe because of it – I started drawing fantasies of free and happy gay men.”

What’s more, Laaksonen developed his distinctive aesthetic – a homoerotic fantasy world populated by gay men who epitomised physical fitness and male desirability – as a corrective response to the particular, reductive way in which gay men were portrayed at the time. Even if Laaksonen’s drawings now seem to perpetuate the stereotype of gay men as inherently sexual and supremely body-conscious, they were once groundbreaking for this very reason.

“Pop culture representations of gay and queer men in the first half of the 20th Century are dominated by the image of the ‘pansy’,” says Dr Justin Bengry, who runs the Queer History course at Goldsmiths, University of London. Bengry says that the ‘pansy’ homosexual was invariably portrayed as “effete” and “the butt of the joke”. Even when he was allowed to “get one over on everyone else”, he was inevitably held up as exemplifying a kind of “failed masculinity”. “Tom of Finland is clearly a reaction against that,” Bengry asserts. “He’s showing that homoerotic desire can be masculine, valid, fun and playful.”

His work captures a raw sexual energy that’s unashamed, punk, rebellious, fantastical, sleazy and most importantly very funny – Chris Weller

Tom of Finland’s gleeful and very gay brand of sexual freedom still resonates today – more than 60 years after his first drawing was published. “His work captures a raw sexual energy that’s unashamed, punk, rebellious, fantastical, sleazy and most importantly very funny,” says drag performer Chris Weller, aka Baby Lame. Weller says he “always feels slightly dirty” when he looks at Tom of Finland’s drawings, but adds: “It’s a feeling I like!”

Tom of Finland’s muscular young hunks were a reaction against the portrayal of gay men as effete – but arguably have proved exclusionary in their hyper-masculinity

Hicks says Tom of Finland’s work doesn’t just feel dangerous because of its overt queerness, but also “because of the way he’s playing with subcultures like leather and BDSM and the way he’s playing with race”. Laaksonen first drew a man of colour in 1960, and as his career progressed, he included more interracial couples in his drawings – something which certainly made his art feel even more taboo at the time. While it might be argued that Tom of Finland reinforces the stereotype of the hypersexual black male, it’s also fair to say that his white males were heavily sexualised too.

However, if these elements of his work are inspiringly subversive, the way Tom of Finland plays with imagery from the Third Reich is undoubtedly much more morally murky – even though Laaksonen unequivocally dismissed suggestions he might be a Nazi sympathiser. Laaksonen, who had sexual encounters with German servicemen stationed in Helsinki during World War Two, claimed “in my drawings I have no political statements to make, no ideology. I am thinking only about the picture itself. The whole Nazi philosophy, the racism and all that, is hateful to me, but of course I drew them anyway – they had the sexiest uniforms!”

But in another way, Tom of Finland’s unashamedly gay drawings were inherently political – namely, because they dared to present imagery that mainstream society wasn’t ready to accept. Laaksonen had been drawing for his own pleasure since the 30s, but in 1956 he submitted one of his efforts to the American beefcake magazine Physique Pictorial and had it published – that was when editor Bob Mizer gave him the pseudonym ‘Tom of Finland’.

Tom of Finland’s work in Physique Pictorial was so gay that it couldn’t be any gayer but just bodybuilding-y enough that it could be gotten away with – Dr James Hicks

Though publications like Physique Pictorial were ostensibly presented as bodybuilding manuals celebrating the male form, many were essentially purveyors of gay erotica hiding in plain sight. Unlike gay pornography, beefcake magazines could be sold on American newsstands and sent through the US mail. “I don’t think Physique Pictorial had much of a straight male audience,” says Bengry. “I think that it trod a line carefully so that it could plausibly deny being a gay magazine if the issue came up, but realistically it was self-consciously and knowingly a gay magazine.”

In 2014, the Finnish postal service celebrated Tom of Finland’s impact with a set of commemorative postage stamps

Hicks agrees, saying Tom of Finland’s “work in Physique Pictorial was so gay that it couldn’t be any gayer” but also “just bodybuilding-y enough that it could be gotten away with.” These illustrations resonated with gay men around the world so strongly that Laaksonen developed a mail-order business as a kind of cottage industry for his artwork. During the 1960s, he worked at an advertising agency in Helsinki during the day, then created his beloved ‘dirty drawings’ at night. “He photographed and printed his drawings in a makeshift darkroom, then posted them to his customers across the world,” says Ahmad. “These photographs are so tiny – small enough to fit into an airmail envelope because letter-sized mail was unlikely to be opened by postal authorities” who might censor them.

And without having to maintain the pretence necessary for Physique Pictorial, Laaksonen could make his mail-order drawings explicitly sexual rather than merely highly suggestive. Ahmad says it’s hard not to be moved by these photographs today because it was so risky for them to be produced, distributed and even owned at a time when homosexuality was still illegal in many countries.

His muscular soldiers, lumberjacks and leathermen bikers were a direct contrast to the emasculating stereotypes that existed in his lifetime – Olivia Ahmad

Laaksonen was more artist than businessman, and for many years he was poorly paid for his illustrations by both the niche titles who published them and fans who commissioned bespoke pieces. By 1973, however, he was earning enough money to quit his day job at the advertising agency and devote himself fully to drawing. His popularity continued to grow during the last two decades of his life, and in 1979 he and Dehner formed the Tom of Finland Company to copyright earlier work which had been widely pirated. Nearly 30 years after his death in 1991 from an emphysema-induced stroke, it’s arguable that his influence is more widely felt than ever. Fans can even buy a Tom of Finland leather jockstrap, a development which would surely tickle the late illustrator. Both curator Ahmad and Hicks hail his work as “revolutionary”. “His muscular soldiers, lumberjacks and leathermen bikers were a direct contrast to the emasculating stereotypes that existed in his lifetime and that still exist in some ways today,” Ahmad says.

Freddie Mercury is one of a number of artists to have been influenced by Tom of Finland’s aesthetic

Weller says Tom of Finland’s work is now being reimagined by a new generation of queer performers who “play with the tropes he created and then really turn them on their head to create work that is political, challenging and often sexy”. Weller also says he sees a rarely discussed drag element to his aesthetic, citing his instantly recognisable “lewks [looks], attitudes and costumes”. Equally, Tom of Finland continues to inspire creatives and fashion designers. US underwear brand Rufskin launched a Tom of Finland range in 2015, while artist and Kanye West collaborator Cali DeWitt created a T-shirt for the Tom of Finland foundation last year.

A century after his birth, Tom of Finland’s original art also remains provocative and challenging to audiences still catching up with his unabashedly sexual, queer utopian vision. But as his reputation continues to swell it’s hard to deny that he achieved his primary aim: “I want to show that gays can feel happy together – that they have a right to be happy together.”

Anal sex positions

Most of these gay sex positions are anal sex positions, but there are some non-penetrative sexual positions at the end too.

If you’re after more anal sex reading, here’s another general guide on how to have anal sex that covers douching, communication, lube and some other stuff.

Top, bottom or versatile?

We’re going to look at gay sex positions from the point of view of a top and a bottom.

If you’re versatile (and we encourage you all to be), lucky you, you can do both. In some gay sex positions the top leads the action, and in some the bottom takes the lead.

Interested in finding out why some guys are top and some are bottom? Here’s a scientific study from 2017 that talks about it.

Try the gay missionary position first

This gay sex position may sound boring, but it’s not, we promise. It’s one of the easiest positions for a top, and not especially difficult for a bottom.

During gay sex, if you’re engaging in foreplay and sucking his cock while he’s laying down, keep licking, kissing and sucking as you move your mouth down towards his balls.

Then go further, toward his perineum (the bit between his balls and his ass) and then his butthole.

Bottom: if you’re enjoying this, give him a few moans and wriggle your asshole a bit closer to where his tongue is.

If he’s keen, keep eating his ass. Open his ass cheeks and get in there deep with your tongue. If you can, and body shapes and sizes depend on this, lift his ass up a bit.

Seeing eye to eye

The gay missionary position is good for maintaining eye contact and clear communication during anal sex.

You can penetrate your partner slowly and carefully, keeping an eye on the target. You can build up a momentum that you’re both comfortable with. And it’s easy to get back in if you slip out, because you can see everything clearly.

Now try riding a guy’s cock

If you’re new to getting f**ked, or nervous about taking a big dick, this gay sex position could be good for you, because as a bottom, you’ll have the control.

It’s a good one for gaining confidence when it comes to taking cock – if it starts to hurt, you can slow down, and lower yourself onto him at your own pace.

You need a certain amount of athleticism to be able to ride your man. You want to be going up and down, and slightly back and forth, at the same time. A bit like riding a horse.

If you’re bigger built than your top, or if you’re a bigger guy in general this one can be tricky as gravity is against you. Be careful not to crush the chap under you or he’ll be at risk of losing his erection.

What does gay chastity mean, and what’s the difference between a chastity belt and chastity cage?

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A design for a card I made for my boyfriend out of various J.C. Leyendecker images. The font was a bit of a bastard to do, but it worked in the end.

I did this as I was not happy with the ones you could get in the shops, and decided to make one myself. Shame I did not make it a month or two ago or I could have sold it to some card company and made a fortune.

A design for a card I made for my boyfriend out of various J.C. Leyendecker images. The font was a bit of a bastard to do, but it worked in the end.

I did this as I was not happy with the ones you could get in the shops, and decided to make one myself. Shame I did not make it a month or two ago or I could have sold it to some card company and made a fortune.

Photographed at the Local Studies Collection at Richmond Upon Thames‘ Old Town Hall

Photographed at the Local Studies Collection at Richmond Upon Thames‘ Old Town Hall

© yonathansantana – 2009 Todos los derechos reservados All rights reserved Please don’t use this image on websites, blogs or other media without my explicit permission.

© yonathansantana – 2009 Todos los derechos reservados All rights reserved Please don’t use this image on websites, blogs or other media without my explicit permission.

not surprised I found this license plate near guy is certainly proud and out there!

…sporting the latest gay fashions for your securitas artista…

My interpretation for a new gay flag rests on the idea of a new icon. This new symbol emerges from the colorful rainbow pattern that his been the base of gay pride for decades. The two main themes present in this new symbol are a) a playful deconstruction and mashup of classic gender symbols and b) the use of ‚XOXO‘, an abbreviation for ‚hugs and kisses‘. The gay flag or pride flag, should convey a message of diversity, unity, and just plain fun!

Eberle St during Liverpool (gay) Pride celebrations

Hundreds of protesters rallied with signs to counter prostest against members of the Westboro Baptist Church who picketed in front of Glen Burnie high school in Glen Burnie, Md.

It was bigger than the first, Click here to read the full story at .

It was bigger than the first, Click here to read the full story at .

It was bigger than the first, Click here to read the full story at .

It was bigger than the first, Click here to read the full story at .

It was bigger than the first, Click here to read the full story at .

It was bigger than the first, Click here to read the full story at .

It was bigger than the first, Click here to read the full story at .

It was bigger than the first, Click here to read the full story at .

Some 25,000 people arrived at Rabin Square in Tel Aviv Saturday night (08.08.09) to honor the victims of last week’s shooting attack on a gay youth center in the city, that left two people, Nir Katz and Liz Trobishi, dead.

It was bigger than the first, Click here to read the full story at .

It was bigger than the first, Click here to read the full story at .